Integrative Seminar

07.11.2016

Gallery Day!

This week the students and I visited TARQ at Colaba, to view their new show entitled, Canticle. For more on the show please have a look at http://www.tarq.in…

Canticle is an attempt to merge the gap between ‘Art’ and ‘Craft’, Boshudhara Mukherjee has developed a unique technique: while she paints the canvas using acrylic and oil she also weaves the canvas, transforming its very nature as a carrier of paint. The canvas is the protagonist of Boshudhara’s art practice, going beyond its usual purview: it becomes a space: the painted canvas is cut and woven, sometimes more than once, creating and recreating the patterns, distorting them to create new, unexpected forms.

Boshudhara draws inspiration from a pool of varied and eclectic sources: the delicate lines of a miniature painting, abstract expressionism, geometric patterns of neo-plasticism, repetitive patterns of architectural screens, as well as her grandmother’s sarees. This mixture of influences of form and technique give Boshudhara’s work a deep, layered meaning that calls to be unravelled, explored and found. She uses a variety of media in her works, most of these common materials of everyday use: plastic, paper, tapes, and cloth. These are either layered onto the canvas or stripped and woven into the work. The objective is to recycle the material, to re-contextualize it, strip it of old connotations and render a new meaning.

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Integrative Seminar

24.10.2016

Jane Jacobs (1916-2006) was an urban writer and activist who championed new, community-based approaches to planning for over 40 years. Her 1961 treatise, The Death and Life of Great American Cities, became one of the most influential American texts about the inner workings and failings of cities, inspiring generations of urban planners and activists. Her efforts to stop downtown expressways and protect local neighborhoods invigorated community-based urban activism and helped end Parks Commissioner Robert Moses’s reign of power in New York City.

jacobs-jane-intro-death-and-life-of-great-cities-intro

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Integrative Seminar

17.10.2016

Maps are a way of seeing the world, seeing the ways in which people encounter spaces, build structures, demolish others, create stories but maps capture much more than the eye can see. Our studies in Bizarre Bazaar will encourage us to look at the map as a way of drawing the viewer in to sense the diversity of our spaces, to see it as an emotional response to the nature of the space. Continue reading

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Integrative Seminar

23.08.2016

When Alice fell down the rabbit hole, Time, as we know it, began to take on new dimensions and her relationship with it began to change; just as her relationship with Space began to alter too. How do Time and Space interact with each other? Can they exist in voids? When they come together what makes them move?

Alice who is dis-located from Time and Space as she knows it begins to draw out the familiar through the lens of the unfamiliar – she talks about Geography and her cat, for example, to explain her current position in the world.

We have spoken about time as form, as formless, as linear and circular, time as an expression of memory and time and its relationship with language. These are some of the ways in which we understand time. But how does space determine action and movement? Can space be independent of time and memory? Is time, physical time, determined by the outside?

But why is this important to us? Why does Alice serve as such a good example as the exploration of the internal and the external self? As the conflicting and unrecognisable self? Alice’s adventures which begin at the top of the rabbit hole take us far into the workings of the human mind as it begins to engage with the ideas of the Self, of the new and many Selves. David Hume in the 17th century talked about the impressions of the Self, what are these impressions and what then is the Self?

Here is video that will probably explain the complexities of Time:

 

 

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Integrative Seminar

Doris Lessing: Talking the Self

“I was born with skins too few. Or they were scrubbed off me by . . . robust and efficient hands.”

This, the first volume of Doris Lessing’s autobiography, begins with her childhood in Africa and ends on her arrival in London in 1949 with the typescript of her first novel, The Grass Is Singing, in her suitcase.

Continue reading

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Time, Time Seminar, Time Studio

Reading of Our Many Indian Identities

“So what’s the book all about? Without giving much away, it’s about the way in which a film about three-brothers-lost-and-then-found made around 1977 managed to provide us with a glimpse of a new India emerging from the debris of an older one riven with communal and political strife. The film, the authors claim, has to be read against the ambiguous moment of the Emergency where an older, much-valorised nationalist political ethos gave way to a newer, younger one. The coming together of the brothers and the family out of a miasma of crime and economic dereliction is also the emergence of a new Hindustan out of its troubled/divided pasts. One of the interesting ways in which such a change is tracked is the play within the film between locations in ‘old Bombay’ (mainly Bandra) and the emerging suburbs around Borivali. Such a reading seems particularly felicitous given the manner in which cascades of northern suburbs of the city rose into economic and cultural prominence in the post-emergency era all the way to becoming the dynamo for Mumbai Global of the 1990s and 2000s.”

http://thewire.in/2016/03/12/an-insightful-reading-of-our-many-indian-identities-24564/

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